Dr. Dave's answers to frequently-asked questions
(FAQs),
mostly from the BD
CCB and AZB
discussion forums
maintained for the book: The
Illustrated Principles of Pool and Billiards
and the monthly Billiards
Digest "Illustrated Principles"
instructional articles
for more information, see Section 3.02 in The Illustrated Principles of Pool and Billiards
aiming "systems" and challenges
How do different people aim?
My October '08 article has some good illustrations and explanations related to aiming.
I don't use the aiming systems (fractional system or Hal's basic system) presented in TP A.11. I just presented them to show that they are the same geometrically. I also presented an example to help clear up some of the debate that started earlier.
I personally use a combination of straight intuition (just "seeing the angle"), ghost ball aiming (see NV 3.1, NV 3.2), and contact point visualization (see NV B.3). Bottom line: I just visualize the aim without using any kind of fractional on fixed-reference compensation system. I certainly don't use any kind of math or numbers when I aim, like some people have suggested. I think my aim is usually very good; although, my execution isn't always perfect.
I think (but don't know) that if a scientific survey were done with all of the pro players, many (maybe even most) of them would say that aiming comes naturally (i.e., its "intuitive" or they just "see the angle"), because they have played so much. Some people might find the How the Pros Aim article interesting; although, it is not the result of a rigorous scientific study.
from Spiderman:
You are correct, that is a fine
article. But, as even that author concludes, it will never be "put to rest".
Luckily, it doesn't really matter. The numerous pros interviewed used a vast and
disparate array of aiming techniques. "Ghost Ball" seemed to be the
only somewhat-recurring assertion, but not to a dominant extent. There were even
one or two who claimed to aim by "feel".
Personally I use the "ghost ball" technique most often, but not to exclusion of others. I learned to play with no coaching, and "ghost ball" was something I thought I invented . I didn't learn what everyone else called it until I read "99 Critical Shots". Now on some simple shots I just let the subconscious handle aiming - all I visualize is the desired result, and it happens, right down to how much the CB path distorts from the draw, and how far it rolls after the second rail. On very thin cuts I may visualize actual ball-to-ball contact points. But on ALL caroms I fall back to an augmented ghost-ball alignment. Most players will hit caroms too thick if they rely on feel.
What I would like to stress from that article is the one thing that everyone interviewed DID have in common - "the balls went in" for them.
The fact that so many different methods will work, and work well, ensures that some will die convinced that "their" way is "the only" way. Clearly all brains are not wired alike, and no one techinque is ever going to be a panacea. Use what works for you, as long as it makes sense.
from Bob_Jewett:
You may find one of the following
articles useful. I included the article about finding the center of the pocket
because if you don't know where that is, it's pretty hard to aim well.
http://www.sfbilliards.com/articles/1993-06.pdf -- close ball aiming
http://www.sfbilliards.com/articles/1996-02.pdf -- frozen ball aiming
http://www.sfbilliards.com/articles/1996-02.pdf -- finding the center of the pocket
http://www.sfbilliards.com/articles/1999-11.pdf -- a smorgasbord of systems
http://www.sfbilliards.com/articles/2000-06.pdf -- analysis of three systems
http://www.sfbilliards.com/articles/2004-06.pdf -- ferrule system, lights system, overlap system
http://www.sfbilliards.com/articles/2004-12.pdf -- aiming devices
http://www.sfbilliards.com/articles/2005-01.pdf -- some more devices
http://www.sfbilliards.com/articles/2005-06.pdf -- a history of parallel aiming [/quote]
Why are some "aiming systems" helpful and effective?
Any "system" that forces a person to focus on aim an alignment consistently and with concentration will be beneficial to many people (especially people who currently don't focus well or long enough).
from Mike Page:
If something seems to work
or to help some people it IS important to many of us to understand WHY it helps.
Part of this--most of us are here for fun when it comes down to it--is intellectual
curiosity, but a big part of it is understanding what specific problems are solved
by a particular approach to be able to incorporate and communicate those things
directly and extend them to new situations.
There are reasons why beginning every shot the same way--looking full on or looking at the half-ball hit for instance--might be useful. The "SEEing it (from manual repetition)" you described above benefits from approaching the same shots the same way every time.
There are other reasons some of these approaches--whether it's one of Hal's methods or S.A.M. or whatever is being discussed here--help people. Get ready, because there's a big secret coming... These approaches cause people to do something they don't usually do. It's such an important thing that we have a name for it. It's called AIM. That's right.
If you look at the QUIET EYE studies, you will find one bit of consistency about the studies of pool, of putting, of basketball free throws, and of other aims involving stationary targets. Consistently a group of experts is compared to a group of wanabees. Consistently the group of experts GAZE at they target on average for a notably longer period of time in the "set" position. I'm talking maybe 2.5 seconds versus 1.5 seconds. It has become increasingly clear that this slightly longer gaze time--locking on your target for enough time-- is crucial for processing the information necessary to aim successfully.
Let's suppose many people suffer from inadequate GAZE time. IF true, then showing them a new method that forces them to lock in on the target (while following whatever the prescription is) will increase their success rate. Like the poop-on-the-swingset, the method might just be a mechanism to bring out the real solution (water/quiet-eye gaze time).
I point out in one of my aiming videos that I think another reason for any success people find with fractional ball aiming techniques is it causes them to sight parallel to the line the stick is moving. Many people don't. Many people sight from above the stick to the object ball contact point. This line is not parallel to the line of the stick or the cueball motion.
Please understand Dave that when someone suggests a method that SEEMS to not have the gaps filled in, that SEEMS to have shots that require two different angles to receive the same aim, that SEEMS to request the exact same aim for two sticks that we know squirt differently, it is like a giant bell going off for many of us.
Then if rather than taking off the system's clothes so that we can examine it honestly, the proponent points out that you really have to learn it in person or that such and such a world-class player uses it, it's like another giant bell going off.
Why is aiming so difficult for some people?
Aiming is tough because it involves 3D visualization, visual perception, physical and visual alignment, and compensation for CIT (with no English) and/or squirt/swerve/throw with English.
from Patrick Johnson:
Aiming
isn't a science, despite what some system [people] think. It involves many kinds
of estimation:
- estimating where the OB contact point is by aligning it with the pocket, from a distance and an angle
- estimating how to adjust the OB contact point for throw
- estimating where the CB contact point is by imagining where it is on the "dark side" of the CB (this is part 1 of the subject of aiming systems)
- estimating how to align the CB and OB so the two contact points come together (this is part 2 of the subject of aiming systems)
- estimating how to position your head and eyes so all the above things are visualized correctly (this is part 2A of the subject of aiming systems)
This is only a partial list of the estimations required just for aiming (not stroking), and only for shots without sidespin (don't get me started).
Even with a perfect stroke aiming isn't a simple, mechanically repeatable process.
from
Colin Colenso:
I think that the biggest error that most players make when
trying to become more accurate players is when they presume that their missed
shots are caused by poor Stroke Mechanics, while they overlook the most common
and significant cause which is poor Initial Alignment.
By Initial Alignment, I basically mean the positioning of the bridge point.
If you do not get your bridge to a point + or - a millimeter or less from the required line, then you are going to have to play an off center or sweeping stroke to pocket the OB as hoped.
In fact, it is common for players to subconsciously make this stroke adjustment when they feel that the shot is not going on line. This creates tension in their swing...their brain is fighting their heart is one way to describe it. So after they miss, they recall the sense of tension in the stroke, so confusedly start practicing their stroke, blaming their wrist action or some other aspect of stroke mechanics which is usually just a symptom of their poor Initial Alignment.
So to establish some proof for my contention, I set up a test.
A mechanical bridge was wedged into position. A piece of chalk sat under the rail as a firm point to keep the bridge from moving. CB and OB were put into positions that lined up for pocketing to the corner. Once established, I tapped the balls into place marked by a cross on the cloth. Hence I could replace the balls to almost identical positions each shot.
Using the bridge, fixed in place, my stroking did not feel very stable, yet I was able to pocket this shot 20 times in a row with very little variation in the pocketing accuracy. Not a single time did the OB hit the jaw.
Now I could make this shot miss by striking deliberately with english, but the point is, that it's not hard to hit the CB center ball accurately enough to provide satisfactory accuracy for most shots on the table.
The hard part
is getting the bridge hand in perfect position for the shot...that is, to align
perfectly.
aim compensation for squirt, swerve, and throw
Is there a style of play (e.g., using aim-and-pivot aiming methods) that can compensate for all of the effects of squirt, swerve, and throw?
There is no sliver-bullet "style of play" that can magically solve all of the "challenges" associate with compensating one's aim for squirt, throw, and swerve. The BHE and FHE aim-and-pivot methods (see my November '07 article) can be used to adjust for squirt (and in some cases the combination of squirt, swerve and/or throw), but swerve and throw vary too much with shot speed, shot distance, cue elevation, type and amount of English, amount of forward roll, ball and cloth conditions, etc.). I think the best you can do is be knowledgeable of all of the effects (e.g., see my March '08 article summarizing squirt and swerve effects and my June '07 article summarizing throw effects) and/or have solid intuition based on many years of successful practice and play. There is no magical "style of play" that can solve all of the world's problems. Pool is hard.
See also:
from
Colin Colenso:
It's little wonder that pros are adept at, and usually rely
almost soley upon simply estimating how to align to any shot they want to make
using english.
There really has been no other way to learn how to execute english for a wide range of shots. So they learn a huge range of shots by repetition and this gives them the intuitive feel to make, or get close to almost any shot they attempt with varying degrees of cut angle, speed and tip offset.
When I first learned about BHE a few years ago I thought it was some instant quick fix. But I soon learned that there were variables that affected the success on many shots quite significantly. These are:
1. The effective pivot point changes according to speed and distance travelled. (Swerve is the culprit).
2. The actual contact point required to make shots varies considerably with CB speed, cut angle and type and rate of spin on the CB.
So without knowing how much to adjust for all of these variables, BHE is only useful for a limited range of shots.
from Patrick Johnson:
You'll always aim by feel; no system will change that. Even with the "systems" that show you exactly where to hit the OB ("ghost ball", "double overlap", "paralleling") you need to "feel" when you're lined up exactly right and "feel" how much adjustment to make for OB throw and CB squirt/swerve.
And most systems don't show you exactly where to hit the OB; they give you an approximate aim point (which you have to line up correctly by feel) and from that you have to adjust to the real aim point by feel. "Approximating" systems include all the systems that are not the well-known "exact" systems I named above.
"Approximating" systems include those taught by Hal Houle, Cue-Tech, RonV, Stan Shuffet, Joe Tucker and others, going by such names as "fractional aiming", "3-angles", "S.A.M.", "center-to-edge", "Pro 1", etc., etc. Some users and teachers of these systems will tell you that they are "exact" systems that need no adjustments, but they're wrong. All of them are approximation systems and all of them require you to adjust your aim by feel. The only one that I'm aware of that actually admits this fact openly is Joe Tucker's system.
Confidence is essential to increasing your "feel" for aiming, with or without an aiming system, and one of the main benefits of using a system is that it can help boost your confidence by narrowing down the range of choices you have to make by feel. Even players who don't think they use any system often use one (or more) unconsciously - for instance, when faced with a tough shot they might get a "second opinion" on their aim by imagining how "ghost ball" or "double overlap" aim would look. Many players use different systems for different kinds of shots - for instance, the "double overlap" system is especially useful for long thin cut shots.
Whether or not you use a system(s) and which one(s) you use are personal choices. Hopefully understanding exactly what aiming systems are and are not before you make those decisions will help you make the right ones for you.
What squirt, swerve, and throw effects do I need to be aware of?
As many of you probably know, I have done lots of analysis and experiments over the years concerning squirt, swerve, and throw. Many illustrations, explanations, and examples can be found in my 2006 through 2008 BD articles available online.
Below is a quick summary of some of the useful pieces of information presented in the articles. Hopefully, some might find this list useful to validate many things you know already and/or to check if there are some effects you don't know about.
FYI, here's a short glossary of some of the terms used:
BHE: back-hand English
CB: cue ball
CIT: cut-induced throw
FHE: front-hand English
gearing OE: the amount of outside English that results in no throw
IE: inside English
OB: object ball
OE: outside English
SIT: spin-induced throw
squerve: combination of squirt and swerve
See my online glossary and articles for more details.
Squirt, Swerve, and Throw
Effects:
(everything you ever wanted to know about squirt, swerve, and
throw)
1. Squirt increases with the amount of English.
2. Squirt does
not depend on shot speed (see my September
'07 article).
3. Squirt increases with the amount of shaft end-mass (e.g.,
a low-squirt cue has less end-mass and results in less squirt).
4. Squirt
is less with a heavier CB.
5. Squerve can be zero with certain speeds and
cue elevations for a given shot distance, amount of English, and cue.
6. Squirt
or squerve can be canceled using back-hand English (BHE) and/or front-hand English
(FHE) aim-and-pivot methods (see my November
'07 article).
7. Swerve increases with cue elevation.
8. Swerve occurs
with practically all English shots because the cue must be elevated to clear the
rails.
9. Swerve is delayed with faster shot speed.
10. Swerve occurs
only while the CB is sliding; once rolling begins, the CB heads in a straight
line.
11. Swerve occurs earlier with sticky cloth and later on slick cloth.
12. Swerve occurs earlier with a follow shot than with a draw shot (see my March
'08 article).
13. Swerve angle is larger with a draw shot than with a
follow shot (see my March
'08 article).
14. Swerve angle can be predicted and visualized using the
Coriolis masse-shot aiming method presented in my November
'05 article.
15. For small cut angle shots (i.e., fuller hits), the amount
of CIT does not vary with shot speed, but increases with cut angle (see my September
'06 article).
16. For larger cut angle shots (i.e., thinner hits), the
amount of CIT is significantly larger for slower speed shots as compared to faster
speed shots (see my September
'06 article).
17. The amount of CIT decreases some with larger cut angles,
but not by much (especially for slower speed shots) (see my September
'06 article).
18. Maximum CIT occurs at close to a half-ball hit (30-degree
cut angle) (see my September
'06 article).
19. In general, throw is larger at slower speeds, and for
stun shots.
20. Both follow and draw reduce throw, and they do so by the same
amount (see my October
'06 article).
21. The largest discrepancy between throw values for stun
and follow/draw shots occurs close to a half-ball hit (30-degree cut angle) (see
my October
'06 article).
22. The difference between the throw of stun and follow/draw
shots is not as great at larger cut angles (see my October
'06 article).
23. More English gives you more SIT only up to a point.
Additional English beyond that point actually reduces the amount of SIT (i.e.,
more English doesn't always give you more throw) (see my December
'06 article).
24. SIT is largest for a slow stun shot with about 50% of
maximum English (see my December
'06 article).
25. The amount of throw can increase significantly as a
small amount of English is added, especially for a stun shot (see my November
'06 article).
26. SIT is independent of speed (i.e., the throw is the
same at all speeds) for small amounts of English (see my December
'06 article).
27. "Gearing" OE results in absolutely no throw.
The amount of English required for "gearing" increases with cut angle.
At a half-ball hit, the amount of English required is about 50% (see my January
'07 article).
28. At very small cut angles, IE and OE create similar amounts
of throw (although, in opposite directions) (see my February
'07 article).
29. For large cut angles, a small amount of OE can result
in more throw than shots with no English (see my February
'07 article).
30. For large cut angles, IE results in less throw than
shots with no English (see my February
'07 article).
31. IE increases throw at small cut angles, but actually
reduces the amount of throw at larger cut angles (see my February
'07 article).
32. OE can cause throw in either direction depending on
the amount of English and the cut angle (see my January
'07 article).
33. Even for large cut angle shots (thin hits), excess OE
(more than the "gearing" amount) can be applied to throw the OB in the
SIT direction (see my January
'07 article).
34. The amount of throw with IE can be much more consistent
than with OE if the amount of English varies a little. In other words, the amount
of throw varies more with tip placement for OE vs. IE. This might explain why
some people prefer using IE on cut shots ... because they can better anticipate
and adjust for the amount of throw.
35. The least amount of throw, and the
most throw consistency, occurs with fast IE shots.
Does the size of the contact patch between the CB and OB vary with cut angle and speed, and does this affect how I should aim shots?
from Bob_Jewett:
The
contact patch is larger according to how much energy is transferred from ball
to ball, so a thin hit will have a smaller patch than a full hit, and a harder
shot will have a larger contact patch than a softer shot.
One thing to remember in this, that a lot of people seem to be confused by, is that the size of the contact patch has absolutely nothing to do with the aiming accuracy required on a particular shot. The patch width does not give any indication of how precisely the cue ball must hit the object ball to get it into the pocket. In the same way, the contact patch of the tip on the ball gives no indication of how accurate you must be in tip placement to achieve a particular precision of placement of the cue ball.
bisect and pivot aiming system
How does the "bisect and pivot" aiming system work?
from bluepepper:
Is depth perception important in aiming?
Assuming you have already visualized the required impact line and ghost ball target (see online video demos NV 3.1 and NV 3.2), aligning the cue stick with the aiming line direction does not require depth perception. (In fact, the parallax created by binocular vision, even with a dominant eye, can make straight-line sighting difficult.) Now, some people might adjust their aim while in their stance based on their perception of the "angle of the shot," impact line, contact point, and/or ghost ball target. In that case, depth perception might be helpful.
I think a low stance helps one better align the cue with the desired aiming line, whithout requiring too much of a shift in eye (or head) motion between the CB contact point the aiming target, while fine tuning and verifying one's aim.
from Qtec:
The
difference between short and long bridge is that the EYES are further away from
the QB when you play with a longer bridge. This means that when you focus on the
QB or OB, you will see more of the shaft [ie. a longer line ] and therefor its
easier to line up the cue on the line on the shot.
Is one's dominant eye important in aiming?
I think this is debatable, and it might vary quite a bit from one person to the next. Now, head and eye position relative to the cue can be important in perceiving the desired tip contact point on the cue ball, especially if the cue tip is not help close to the cue ball when lining up a shot.
Vision and perception are too complicated and personal to simplify into a "formula" that works for all people. The focus should be on results. Each person should find the head position and sighting technique that helps them create the most accurate cue tip contact point and aiming line.
Here's an easy and free way to check visual alignment: Place the cue at cue-ball address in your elevated stance (so you can clearly see center-ball alignment), then get down into your stance, without moving the cue. Alternatively, have a friend position (and hold) the cue for you, with center-ball alignment, after you are down in your stance. Then move your head left and right to see how the perceived alignment and aim changes with head position. You might be able to find a head position that gives you more accurate alignment perception.
from RSB_FAQ:
For most
people, one eye is much more dominant in seeing alignments than the other. Typically,
right-handers are right-eyed, and vice versa. About 5% are "cross-dominant"
(e.g., right-handed and left-eyed) and some are "ambi-ocular" (no dominant
eye). To aim and sight well, it helps to locate your dominant eye directly over
your cue. For cross-dominants, this may call for some adjustments in stance or
neck/head angles. For ambi's, the stick will be under some spot between the eyes.
Here's how to test yourself: Hold your thumb up at arm's length, visually blocking some distant object (for example, a clock or a lamp). Don't focus on your thumb; focus on the distant object. You'll see a ghost of your thumb, since your dominant eye will be in line with both your thumb and the distant object, while your non-dominant eye will be seeing past your thumb, directly toward the distant object. With one eye seeing the thumb and the other not, you get a ghost. The ghost is centered on the distant object because your dominant eye is the one that tells you what's lined up with what.
So, when you close your non-dominant eye, the thumb becomes solid instead of ghostly, since the dominant eye is looking directly at the thumb. When you close your dominant eye, the thumb appears to jump to the side because the dominant eye (that was making the thumb line up with the distant object) is not in use.
Stroke into a mirror to see where your dominance spot is, relative to your shaft. It "should" be directly over the shaft. If it's not, but you're not having difficulty aiming or sinking balls, don't worry about it.
from JoeW:
I have created a way that you can determine
the best way for you to aim and it wont cost anything except a little time
and maybe $3.00. Brought to you by Easy Pool Tutor for free (it might even wind
up in the CD but the Admin will have to decide that). I present it with no strings
attached.
Photo 1 shows the table with a line drawn from the head to the foot of the table on the center diamond. I used a dressmakers marking pencil (cost $1.00 at Wal-mart) to draw the line. I left the pencil on the table for this photo.
For a ruler I used an 8 piece of metal wall board corner molding ($2.00 at Home Depot). Note that the line goes from one end of the table to the other.
Photo 1
The balls are set with the base of the One ball on the line (see Photo 2) with the center of the numeral One centered on the line. If you look over the top of the One ball you can see the other side of the ball and that the number One lines up with the white line. Go to the other end of the table and set the Three ball in the same way.
The balls are now lined up perfectly. If you hit dead center on the One, stop on the Three ball the three ball should bank off the end of the table and come back and hit the One ball a really tough shot.
Photo
2
Ok so how should you aim? Well first lets get the bridge hand out of the way. To do this I reversed the table bridge and set it where the stick will line up perfectly with the center of the One ball. See Photo 3. I am holding the table bridge with my left hand and site with my eyes and the right hand. Here is the interesting part of this technique.
As I look down the shaft and line up from the One to the Three I get what I think is a good site picture. Notice where your nose is relative to the shaft of the cue stick and this is your site picture.
Now raise up a little bit and you can see over the Three ball to the head rail and you can see the white line. If everything is lined up then you are straight for your site picture. If not, something has to change.
Shooting the shot by stopping on the Three ball and watching the return from the rail will tell you if you site picture is the least bit off. This is a difficult shot and you have to be lined up perfectly. All I can tell you is --- things will change.
Please try it. By the way, you will learn if you shoot most accurately with one eye or with two eyes.
Photo 3
BTW, I learned that I shoot "best" with the my nose slightly closer to the cue stick than I had it before using this test.
from Billy_Bob:
Here
is more reading about the dominant eye...
Ken Tewksbury, Master Instructor
(See #6)...
http://www.tableskills.com/article-kt2.php
Robert
Byrne: "If you are having trouble pocketing balls, it may be that you aren't
bending over far enough and aiming the cue like a rifle with your dominant eye."
http://www.byrne.org/pool/tips/08-1998.html
Says
Buddy Hall wrote good article on this: Billiards Digest in June 2001...
http://www.ez-shot-ghost-ball.com/dominant_eye.html
By
Don 'The Master' Rose, BCA Advanced Instructor...
http://www.azbilliards.com/donrose/lesson4.html
Are fixed-line of aim, fractional-ball aiming systems like Hal Houle's aiming method useful?
Fractional ball aiming is illustrated and described in part 2 of NV B.3.
Various aiming methods (even though they are not perfect) do help some people aim, concentrate, focus on the OB, stay down, and shoot better. I don't think anybody (even me) would say that is a bad thing. On the other hand, people should realize that fixed-point aiming systems with a limited number of aiming lines are not perfect and will cause you to miss shots if you don't compensate (consciously or subconsciously).
Hal Houles basic aiming system is an example of a fixed-line of aim method. It is described here and illustrated here. Basically, the claim is there are only three different aims for all cut shots: a "15-degree cut," a "30-degree cut," and a "45-degree cut." In TP A.11, I show that these aims are equivalent to 3/4-, 1/2-, and 1/4-ball-hits and the 15- and 45-degree angles are not exact. Also, I show an example shot "in between" two of the aim references to show a deficiency of the method. The method provides easy visual aiming, and it helps a player establish good reference aims for different ranges of cut shots; but for "in-between" cut angles, one must adjust or compensate between the aim references.
I know believers of the Hal system have much anecdotal evidence. In fact, if a method works for somebody, that's all that really matters. It is difficult to refute anecdotal evidence. So I'm not saying going to say his method doesn't work. I just think that it is not as much of a silver bullet as some people think.
For a given shot, with N different lines of aim, assuming you can hit where you are aiming, the object ball can go only in N different directions. Depending on where a pocket is and how far it is from the object ball, the cut shot may or may not be makable with one of the selected aiming lines.
Even with English effects (squirt, curve, and throw) and cling (collision-induced throw), the object ball can still go only in N different directions for N lines of aim for a given cue stick elevation and shot speed, and for given ball and table conditions.
See TP A.13 for background and specific results. Here are some highlights:
Now, I still think the three fractional aiming references (1/4, 1/2, and 3/4) are very useful because they are very easy to visualize. And having easy to identify references is always useful (e.g., as with the tangent line and the 30 degree direction for predicting CB motion), so I agree 100% that the aim points (Hal's or fractional aiming or any other system) provide a good framework from within to work, especially for people that have difficulty aiming accurately and consistently.
from
Spiderman:
Like all "discrete", "fractional-ball",
and simililar aiming systems, it gets you in the ballpark for most shots and depends
upon subconscious correction to make the fine adjustments. In other words, you
have to use it as a guide, "take it on faith", and shoot the shots.
For a beginner, it will get them in the ballpark and they'll accidentally pocket more balls than by winging it. For an intermediate, they may have enough experience that they will subconsciously correct, and the system might work well for them. The expert doesn't need a system to get them in the ballpark.
All
discrete systems have the same failing - they are not geometrically correct for
all setups. If you claim that there are only a (small) discrete number of aimpoints
required to hit any pocket from any setup, and disallow the subconscious correction
factor, all such systems may be easily disproven. In practice, your ability to
compensate overcomes the built-in flaws of the system.
How does ghost-ball aiming work?
The ghost ball (GB) is the imaginary position the CB must be, at contact with the OB, to make a shot. It is easy to practice visualization of the GB target by having a helper place a real ball in the desired GB location (adjusted for throw or not) and pull it away when the person shoots. I demonstrate this technique in NV 3.1; although, I didn't have a helper to remove the ball for me.
Also, striped balls are useful to help the shooter visualize both the "aiming line" (from the CB to the GB center) and the "impact line" between the GB and OB centers. To me, that's the most useful advice in the video.
Supplemental Aiming Method (SAM)
What is SAM?
The Supplemental Aiming Method (SAM) is a fractional-ball aiming method taught by many BCA instructors.
from caedos:
S.A.M.
is the set of aimpoints for the fractional aiming method. It is the inverse (almost
exactly) of the system CJ Wiley has on his Volume 3 of 'Ultimate Pool Secrets'
video. If you can roll your cue-ball in a straight line to the same point on an
object ball over and over again, it will produce the same resultant path for the
object ball over and over again. The contact point between the balls is not relevant
to the shooter using the system, because it will happen automatically just by
shooting the cue ball to the correct aimpoint. A straight shot is a #1 Aim in
S.A.M. and only requires you shoot the cue ball in a line to a point on the vertical
center of the object ball. This is usually done with the aimpoint being where
the object ball touches the table or at the topmost part of the object ball (tougher
to be precise but has better lighting). A half-ball hit releases the object ball
from contact at about 30-degrees from the cue ball path (not the cue-ball to object
ball line), and is the #3 Aim in S.A.M. This is the second reference for me after
the #1 when I'm shooting because it has a well-defined aimpoint, the outermost
edge of the object ball away from the object ball target (the pocket, most of
the time). The #2 is halfway between, but uses a point on the edge of the object
ball to aim at and not the body of the ball (it's tough to pick a point in the
middle of a solid colored sphere); #2 releases at approximately 15-degrees. #1
is straight on, #2 is a 3/4 full hit, #3 is half-ball, #4 is 1/4 ball, #5 is 1/8
ball, and #6 is Thin. Fractional aiming has been around for a long time, and this
system is another way to use it to greater effect. The #4 is hit by estimating
your aimpoint onto the felt beside the object ball or by matching the #2 inside
aimpoint position on the cueball to the #3 aimpoint outer edge of the object ball.
#5 aimpoint is a similar estimate, and because the edges of the cue-ball and object
ball are receding very quickly the penalty for error seems more extreme; I tend
to leave S.A.M. for the #5 (1/8th ball hit) because I focus on the amount of ball
overlap and not a point on the felt. #6 is for Thin cuts and is often taught by
aiming through the contact edges of both balls and parallel shifting to the center
of the cue-ball. There is no exact science that will produce a perfect aiming
system. I agree with Bob Jewett when he said something to the effect of needing
to know what stinks about a system before being able to use it well. What stinks
to me about this system is that there is an intangible quality that appears when
using the system because the subconscious mind has to be allowed to use the mind
and body to make the shot look, feel, and become 'right'. This means you can say
a shot is a #3 Aim all the way and maybe it's really a #3.463024 Aim or a #2.903882
Aim. If you want to play pool you will either call it a #3 and let your brain
do the rest, you will use a #3 Aim as the reference and let your brain thicken
or thin the hit to make it right, you will find some other way to make this system
work for you, you will abandon the system for something else that makes more sense,
or you will have a nervous breakdown and take up checkers because the checks taste
better when the thorazine kicks in. This is a crude explanation of S.A.M. The
assumption is that the shooter will use the cue stick as the pointer for the line
the cue ball needs to travel down to get to the aimpoint (a specifically chosen
point at the end of that line), thus making the cue-ball travel an easier task.
The shooter then lets the stroke work and the cue ball has no choice but to go
down the line. It's less stress. Having an aimpoint to shoot directly at removes
confusion over contact points and simplifies the process so that the shooting
routine completes a circuit with no loose ends and has the added benefit of a
complete command structure, leading to a more focused shooter. K.I.S.S(illy).
using lights and ball reflections
Can lights and ball reflections be useful in aiming?
I think the value of this is debatable, but some people do claim it is useful. This article describes a possible approach for using reflections of lights in balls.